It is appropriate then that I end a month of blogging about Alex Colville with another painting featuring his wife, Living Room. The ease of their relationship is evident in Alex's artwork. In Living Room, the couple sits side by side, Alex in his chair, Rhoda at the piano, the dog in between them. It is like there is no need for words. They know each other's thoughts. Rhoda passed away in 2012 and Alex followed only six months later, united forever.
"History is a gallery of pictures in which there are few originals and many copies." (Alexis de Tocqueville)
Friday, 30 June 2017
Living Room
She is the subject of many of Alex Colville's paintings: To Prince Edward Island, Woman at Clothesline, Woman on Ramp, Stove, Nude and Dummy, Family and Rainstorm, Departure and Woman Carrying Canoe, to name a few. Rhoda Wright was the love of Alex Colville's life. They were married for 70 years and raised four children.
It is appropriate then that I end a month of blogging about Alex Colville with another painting featuring his wife, Living Room. The ease of their relationship is evident in Alex's artwork. In Living Room, the couple sits side by side, Alex in his chair, Rhoda at the piano, the dog in between them. It is like there is no need for words. They know each other's thoughts. Rhoda passed away in 2012 and Alex followed only six months later, united forever.
It is appropriate then that I end a month of blogging about Alex Colville with another painting featuring his wife, Living Room. The ease of their relationship is evident in Alex's artwork. In Living Room, the couple sits side by side, Alex in his chair, Rhoda at the piano, the dog in between them. It is like there is no need for words. They know each other's thoughts. Rhoda passed away in 2012 and Alex followed only six months later, united forever.
Thursday, 29 June 2017
Prince Henry Refueling in Corsica
"I felt my job was simply to report. I tried very hard to do the best stuff I could do as a war artist. I thought at least because no one was shooting at me, I could try and do reasonably good work."
(Alex Colville)
A sailor trains his telescope on the Canadian ship Prince Henry, stationed in the Mediterranean off the coast of Corsica. Azure waters fill the foreground; partially bare foothills fill the background.
In 1942, artist Alex Colville enlisted in the Canadian Army and rose to the rank of second lieutenant. Two years later, he accepted an appointment as an official war artist, travelling to Yorkshire, the Netherlands, northern Germany and the Mediterranean. It was while stationed at the latter that he painted the Canadian ship Prince Henry, in the process of refueling at the French island of Corsica.
Wednesday, 28 June 2017
Tragic Landscape
Tragic Landscape circa 1945 courtesy http://www.thestarphoenix.com/touch/cms/binary/8673491.jpg.
Alex Colville was an official war artist for Canada during the Second World War. Stationed in Deventer, Holland, he came upon a German paratrooper of lying face up in a farmer's field. "He was about twenty," explained the Canadian painter. "They [the Germans] would fight right to the very end. They had put up a tremendous fight until they were all killed." Tragic Landscape hangs in the Canadian War Museum in Ottawa.

German soldier from the Luftwaffe in Holland courtesy https://www.pinterest.com/dagazzie/nederland-in-wo-ii/.
Tuesday, 27 June 2017
Low Tide
A lady reclines on the deck of a boat, a hat covering her face to block out the sun. Her husband, knee deep in water, appears to be adjusting the anchor. In the background stretches a peninsula of sand, partially covered in reeds. Low Tide, painted in 1987 by Alex Colville, is somewhere in Nova Scotia, where he lived much of his life. The painting features a woman who is most likely his wife, Rhoda. The scene is one of ease: the tide eases in and out. The husband and wife demonstrate a sense of ease with their relationship. There is no sense of urgency. They could stay there forever.
Monday, 26 June 2017
French Cross
"French Cross is a sombre reminder of past animosity between French and English in Canada, and of the sufferings of ordinary people who happen to be caught in national or international power plays."(Alan Reynolds)
Alex Colville's painting French Cross is both peaceful and menacing. The Christian cross represents the hope of Jesusand His resurrection while the grey clouds might indicate a coming storm. Grand Pre, or Grand Prairie, is where the Acadians erected dykes to prevent the sea from encroaching on their farmlands.
French Cross features a monument erected in 1924 at Grand Pre, Nova Scotia to honour the Acadians (French population) deported to the Thirteen Colonies by the British, known as Le Grand Derangement. In 1755, the army of King George II gathered the men of the area together at a church, burned their houses and barns, and forced them onto ships heading south. (http://alinefromlinda.blogspot.ca/2016/06/june-1.html) The British population was more established in the Thirteen Colonies at the time and therefore the King reasoned that the French would pose less of a threat there then in Nova Scotia. The expulsion ejected the French from their land, some of whom had been there since 1604 when Acadia was founded.
"French Cross is a sombre reminder of past animosity between French and English in Canada, and of the sufferings of ordinary people who happen to be caught in national or international power plays." But at the same time, the Cross reminds us that the future brings hope. While the Acadians were persecuted, their history and culture survive. While most of us are familiar with the Acadians (Cajuns) of New Orleans, not all of the Acadians got on the ships heading south. Some hid in the forests of New Brunswick. That is why today, New Brunswick retains a significant French population (about a third) and is officially bilingual. "In spite of their struggles, they are not 'separatist'."(http://dialogue-can.ca/alex-colvilles-french-cross-and-canadian-unity-alan-reynolds-richmond-bc/) The Acadians remain an integral part of Canada's culture, honoured by both Alex Colville's painting and Henry Wadworth Longfellow's poem, Evangeline.
Sunday, 25 June 2017
The River Spree
While living in Berlin, Germany, Alex Colville partiicpated in the Kunstlerprogramm, a one year grant offered to artists in film, literature or the visual arts which started in 1963. Alex Colville received the grant in 1971, at which time he painted at least two works, Berlin Bus (http://alinefromlinda.blogspot.ca/2017/06/berlin-bus.html) and The River Spree. The Spree is the river on which the original Berlin centre was built. Spanning 400 kilometres, it runs through Saxony, Brandenburg, Berlin and the Czech Republic. Tourists taking cruises on the River Spree might pass by the Berlin Cathedral, the Reichstag and the Schloss Charlottenburg. Museum Island, which includes a collection of five museums, is located in the middle of the Spree.

Bode Museum on Museum Island in the River Spree courtesy https://en.wikipedia.org/wiki/Spree#/media/File:Bodemuseum_-_Front.jpeg.
Saturday, 24 June 2017
Skater
A skater glides across the ice, her muscled leg outstretched parallel to the ice, her hands tucked behind her back. Her other skate is planted firmly on the ice which already has many lines carved into its surface. In the background appears to be a cliff with a small, frozen waterfall.
"All is grace, serenity and composure," says Helen Dow, who wrote the book The Magic Realism of Alex Colville. She adds: "This is a picture of a human being who has come to grips with reality." Yet, the skater is skating away from the viewer, not towards the viewer.
Completed in 1964, Colville's painting depicts a typical Canadian pastime, ice skating. The painter's wife, who served often as his subject, was an avid cyclist, swimmer and skater.
"All is grace, serenity and composure," says Helen Dow, who wrote the book The Magic Realism of Alex Colville. She adds: "This is a picture of a human being who has come to grips with reality." Yet, the skater is skating away from the viewer, not towards the viewer.
Completed in 1964, Colville's painting depicts a typical Canadian pastime, ice skating. The painter's wife, who served often as his subject, was an avid cyclist, swimmer and skater.
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